Avoiding Plagiarism
(Developed by FSU’s First-Year Writing Program)
What is Plagiarism?
Plagiarism occurs when you represent someone else’s words or ideas as if they were your own. Deliberate plagiarism is when you put your name on an essay someone else has written and try to pass it off to your teacher as your own work. This kind of plagiarism is illegal and unethical and will result in a 0 on the assignment. Further action will be taken.
Accidental plagiarism is when you make a big mistake incorporating research into your essay: maybe you forget to put the quotation marks around the source’s exact words, or you do not paraphrase thoroughly, or you borrow ideas from a source but do not give credit to that source. These errors can result from lack of knowledge about research writing, or simple carelessness. But they are very serious errors in that they violate our national copyright laws.
How To Avoid Plagiarism
What Should Be Cited
Cite the following in each instance or each occurrence:
Also, each source you cite in your essay should appear on your Works Cited list. And each item on your Works Cited list should appear somewhere in your text. Leave a source trail for your reader to follow.
Practice Exercises
Original:
There are always two jazz worlds: the formal one and the informal one; the salaried booking and the unexpected event. In the formal situation, you will hear a band doing its job. In the informal one, you will witness the bandstand personnel suddenly expanded by an invitation to a visiting musician who has been asked to sit in; or you will find yourself in a jam session, where anything can happen. Each situation is an important aspect of the jazz world, and sometimes the two scenarios come together in the same place. Both worlds are found in the clubs. Sitting at a table or at the bar, one comes to understand something about the power of jazz and experiences the intimacy of a chamber-music setting.
--Stanley Crouch, “New York Is Jazz,” The New Yorker, August 26, 1996, page 168
Student A
I enjoy jazz because I can listen to it in two different settings: an informal one in clubs and a formal one in recital halls. In informal settings, I can experience the spontaneity of a jam session, while in the formal settings, I can hear a combo doing a brilliant and well-rehearsed set.
Is this accidental plagiarism? If so, correct the problem area(s) below.
Student B
Stanley Crouch, in his recent article in The New Yorker, writes that the formal and informal settings for jazz can come together in the same place in the clubs (168).
Is this accidental plagiarism? If so, correct the problem area(s) below.
Student C
I usually listen to jazz on CDs, not live. It’s hard to get into some of the better clubs with my friends because I’m not 21 yet and I don’t have the money. My parents took me to a local nightspot one time when my favorite group was playing. The club setting is definitely a better way to experience jazz. Sitting at a table or at the bar, one comes to understand something about the power of jazz and experiences the intimacy of a chamber-music setting (Crouch 168).
Is this accidental plagiarism? If so, correct the problem area(s) below.
Student D
Stanley Crouch, a music critic for The New Yorker, says there are two jazz “worlds”: traditional, planned, and rehearsed jazz and spontaneous, improvised, “jam” sessions. In the traditional setting, the musicians merely give their best performance. In the spontaneous one, you may observe a change in personnel as a guest musician joins the group, where the unexpected can occur (168).
Is this accidental plagiarism? If so, correct the problem area(s) below.
Case Studies
Consider the following situations and decide what type of citation, if any, is necessary for each. Be ready to discuss your responses with the class.